الرؤيـــا والتشكـيــل في النص الشعـري المعــاصر ديـوان " محـاريث الكناية " للأخضـر بـركة انمــوذجا

Abstract

In this study, we have focused on the poetic vision and the most important aspects of formation in the contemporary poetic text, and in particular the contemporary Algerian poem represented in the collection of metonymic plows by Lakhdar Baraka, trying to reveal the transformations of the poetic text from the traditional style to a modern style according to Lakhdar Baraka’s vision through models, evidence and themes from His collections took them as positions to influence and criticize his position indirectly. Where he wants to evade the past and reality of the Algerian and Arab people in general, to connect them to a forwardlooking view of a future with hope and idealism, and to depart from the old artistic image that relied on rhetoric, adopting the poetic image that took symbol, nature, and religion as a basis in expressing his human and existential cause. To express his emotional and sensory feelings towards the reality in which he lives in light of the current social, economic and political conditions, he depicted in his poems the suffering of Algerian society to express his daily life through poetic vision, to gather the fragments of the universe in the body of language. The new relationships in the new poem cannot be revealed except through the vision that rearranges things, and it has an impact on the stylistic formation through the relationship of the self to reality and the relationship of the self to the object, as well as the effect of the national and national vision in the stylistic formation of the contemporary poem. Thus, contemporary Algerian poetry witnessed a number of transformations in visions and in the methods of composition, through which the poetic self kept pace with the requirements of the era and the crises of the Arab and Algerian reality. This was the result of the poetic experience, as with the advent of the ta’feela poem, it became possible to place the appropriate idea in the appropriate context, as the meanings became Abstract expressions are sensual manifestations, which are a prominent feature of our contemporary Arabic poetry. Algerian poetry was not immune from these changes, and the Algerian poet Lakhdar Baraka was one of those who responded to these changes, as he was able, with his poetic system represented in his collection: “Ploughs of Metaphor,” to compete with the great Arab experimental poets such as Badr Shaker Al-Asyyab, Nazik Al-Malaika, Mahmoud Darwish, and Nizar. Qabbani, Elia Al-Hawi…and others, who rebelled and broke through the familiar standards of poetic writing, to revive contemporary poetic writing in various forms