Womanism and Identity Reconstruction of the Black Female Explored in the Afrofuturistic Trilogy of Binti by Nnedi Okorafor (2015)
| dc.contributor.author | Gafour, Zahra Ines | |
| dc.date.accessioned | 2024-09-18T08:25:54Z | |
| dc.date.available | 2024-09-18T08:25:54Z | |
| dc.date.issued | 2024 | |
| dc.description | A Thesis Submitted to the Department of English in Candidacy for the Degree of Doctorate in English Literature | en_US |
| dc.description.abstract | Afrofuturism, rooted in the 19th century, critically examines and reshapes African and African American identities through futuristic narratives, emphasizing Afrocentric perspectives. It challenges stereotypes, celebrates diversity, and imagines empowered futures where Black women actively redefine their identities. This research explores the multifaceted nature of identity and its deconstruction process with a major focus on Black females. The study further centers on Womanism, a term coined by Alice Walker that emphasizes Black women's unique experiences, struggles, and resilience. The combined examination of Afrofuturism and Womanism is significant, given that previous studies have focused on each movement individually, leaving their intersection largely unexplored. At the core of this research is the proposal of an Afrofuturist Womanist Manifesto, which stands out as a significant finding due to its innovative approach to addressing the current scholarly gap. This framework catalyzes self-discovery and empowerment within Afrofuturism and Womanism, facilitating transformative growth. The essence of this Manifesto finds transcendence and celebration in the compelling narrative of Nnedi Okorafor's acclaimed Binti Trilogy (2015-2018). The tale unfurls not merely as a splendid fusion of science fiction and African cultural richness but also as a profound odyssey into the realms of Black female identity. Within the Afrofuturistic tapestry meticulously woven by Okorafor and viewed through a multidisciplinary lens, this study employs a multifaceted methodology, integrating descriptive, analytical, and quantitative approaches with discourse analysis to delve into the intricate ballet of identity reconstruction, tracing the protagonist's journey through the cosmic interplay of tradition, modernity, and self-discovery. This thesis embarks on the journey of Binti, a youthful Himba spirit resonating with womanist echoes, navigating a transformative expedition that entwines the paradox of ancestral sagacity and futuristic enlightenment, exemplifying the principles articulated in the proposed Manifesto. | en_US |
| dc.identifier.uri | http://dspace.univ-chlef.dz/handle/123456789/1955 | |
| dc.publisher | Aissa Hanifi | en_US |
| dc.title | Womanism and Identity Reconstruction of the Black Female Explored in the Afrofuturistic Trilogy of Binti by Nnedi Okorafor (2015) | en_US |
| dc.type | Thesis | en_US |